When I Look Back
We met, strangers at a local gallery,
in front of immaculate skies,
twenty pintos, manes flying
second to last light flung from canvas.
That light, my cropped hair, your tight ass
let lust splash us at the same time.
I’m not sure when you and I cast ourselves
into a short film in soft focus.
Quick tongues, skin on skin on clean sheets,
then us asleep like two tabbies in a square of sunshine.
Scene 2 – us in a car where we read poetry on CA37
before singing Gold Dust Woman with Stevie Nicks.
How long did it take for syllables of silence
to settle into the front seat?
We kept waking up only to live the day
trawling for infractions. Please
pick up your shoes. Start the washing machine after
I take my shower.
Near the end, our short story – told in post-it notes –
read like plates smeared with leftovers.
Art forms absent, the slant of light changed.
I didn’t curl toward your voice. For you, I
became a stray question. The discovery
of each other, animal in nature,
turned into background noise without a purr.
Our love fell into something
like putting a cat in a bag – always an arm
left out twitching and at the end of it, claws.

Melanie Perish is a gender fluid crone interested in the complexity of poetry and poets. Her work appeared in Calyx, Rust & Moth, The Meadow, Sequestrum, Persimmon Tree, and other publications. Passions & Gratitudes (Black Rock Press, 2012,) The Fishing Poems (Meridian Press, 2016,) and Foreign Voices, Native Tongues (Blurb, 2021) are her collections. She believes reading makes you beautiful.
