On Love: Broken Beer Bottles at the Park
I once was a domestic,
laboring in others’ homes—
washing, watching.
And once,
at the park,
when the children wouldn’t listen,
wouldn’t wear shoes,
someone else’s boy stepped on a bottle.
Brown glass hook.
The mother yelled.
The boy cried.
Held down,
I,
in a u-shaped moment,
pulled the glass from his foot.
The girls wore shoes after that,
watching me
washing the blood from my hands.
from domestic to lover, I write—
my beloved,
as warning.
When I try to be heard—
Listen.
I won’t be the mother.
I can’t be the son.
And I won’t,
in disbelief,
pretend
I didn’t see it coming.
I can’t be the one,
gentle and soothing,
sparing the rod
spoiling the son.
My love has teeth—
threshing, pliable.
It will ask you to bend.
I can’t be the one,
naive to pain.
Freely blowing
only to get stuck—
barbed by someone else’s neglect.
If anything,
I’m the bottle,
asking you not to break me.

Cameron Feeley is a Southern poet whose work moves through themes of queerness, lineage, ecological memory, and the shifting borders between the body and place. Their poems often trace rivers, kudzu, women’s stories, and the quiet violences of inheritance. Originally from the Southeast, they currently live in Japan, where they teach English and are completing a MATESOL degree.
